cv
+++ 0010_exhibitions +++ dennis rudolph vs. thomias radin +++ opening july 23 @hanz.studio +++ 7 pm +++ straussberger platz 19 +++ 0010_exhibitions +++ dennis rudolph vs. thomias radin +++ opening july 23 @hanz.studio +++ 7 pm +++ straussberger platz 19
Techne_1, 2020
3D printed digital VR painting cast in bronze.
Depending On Positions
First GPS based AR exhibition in Berlin, Mansteinstrasse, 2019. Initiated by Office Impart and STATE OF THE ART BERLIN. With works by Sam Mattacot, Dennis Rudolph and Tristan Schulze.
Download the app:
https://apps.apple.com/de/app/depending-on-positions/id1465366623
FALLEN ANGELS - UPSTREAM GALLERY, 2019
press release:
In his current multimedia project Rudolph creates a stylistic fusion that can be referred to as Neon-Baroque – a fascinating symbiosis of 17th century frescoes paired with the bright digital effects of the VR program Google TiltBrush. This program allows the artist to use his own hands to paint three-dimensionally in virtual reality, then he introduces these paintings into a space of augmented reality. Experienced with an iPad or a HoloLens headset, these immaterial works float as Holograms through the exhibition space of the gallery interacting with Rudolph's oil paintings.
The final artwork is an immersive multi-sensory experience, combining oil paintings, augmented reality and music resulting in a Wagner-meets-Hollywood Gesamtkunstwerk. But in contrast to the perfect illusions of Hollywood, Rudolph's work allows glitches and cracks in the performance giving us an idea of the fragility of our own construction of reality.
– full text here: Upstream Gallery, 2018
press release:
In his current multimedia project Rudolph creates a stylistic fusion that can be referred to as Neon-Baroque – a fascinating symbiosis of 17th century frescoes paired with the bright digital effects of the VR program Google TiltBrush. This program allows the artist to use his own hands to paint three-dimensionally in virtual reality, then he introduces these paintings into a space of augmented reality. Experienced with an iPad or a HoloLens headset, these immaterial works float as Holograms through the exhibition space of the gallery interacting with Rudolph's oil paintings.
The final artwork is an immersive multi-sensory experience, combining oil paintings, augmented reality and music resulting in a Wagner-meets-Hollywood Gesamtkunstwerk. But in contrast to the perfect illusions of Hollywood, Rudolph's work allows glitches and cracks in the performance giving us an idea of the fragility of our own construction of reality.
– full text here: Upstream Gallery, 2018
MESSENGERS OF THE AI_ Kunststiftung Poolhaus Blankenese, 2018
Im weissen Rauschen einer medial überfrachteten Augmented Reality Oper entfalten sich ausgehend von den 7 Ölbildern ihre in der Virtual Reality gemalten Gegenstücke. Die Choreografie der holographischen Performance “Messengers of the Ai” bespielt zu einem Mix von Wagner und Hollywood die Grenzen des Gesamtkunstwerks, die Gleichzeitig die Grenzen des ehemaligen Pools der Kunststiftung sind. Inhaltlich werden in der Erzählung der Oper die Grenzen der westlichen Kultur des 21. Jahrhunderts verortet, beginnend mit 9/11 und endend mit der Antrittsrede Donald Trumps.
Im weissen Rauschen einer medial überfrachteten Augmented Reality Oper entfalten sich ausgehend von den 7 Ölbildern ihre in der Virtual Reality gemalten Gegenstücke. Die Choreografie der holographischen Performance “Messengers of the Ai” bespielt zu einem Mix von Wagner und Hollywood die Grenzen des Gesamtkunstwerks, die Gleichzeitig die Grenzen des ehemaligen Pools der Kunststiftung sind. Inhaltlich werden in der Erzählung der Oper die Grenzen der westlichen Kultur des 21. Jahrhunderts verortet, beginnend mit 9/11 und endend mit der Antrittsrede Donald Trumps.
©Dietrich Brüggemann