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+++ @ProjectSpaceOnTheInside +++ SGABELLO COLLECTION: In Search of the Miraculous +++ Sept 7 - Nov 29 +++ @ProjectSpaceOnTheInside +++ SGABELLO COLLECTION: In Search of the Miraculous +++ Sept 7 - Nov 29 

  



    











Techne_1, 2020

3D printed digital VR painting cast in bronze.

Depending On Positions

First GPS based AR exhibition in Berlin, Mansteinstrasse, 2019. Initiated by Office Impart and STATE OF THE ART BERLIN. With works by Sam Mattacot, Dennis Rudolph and Tristan Schulze.



Download the app:
https://apps.apple.com/de/app/depending-on-positions/id1465366623



FALLEN ANGELS - UPSTREAM GALLERY, 2019





press release:

In his current multimedia project Rudolph creates a stylistic fusion that can be referred to as Neon-Baroque – a fascinating symbiosis of 17th century frescoes paired with the bright digital effects of the VR program Google TiltBrush. This program allows the artist to use his own hands to paint three-dimensionally in virtual reality, then he introduces these paintings into a space of augmented reality. Experienced with an iPad or a HoloLens headset, these immaterial works float as Holograms through the exhibition space of the gallery interacting with Rudolph's oil paintings.

The final artwork is an immersive multi-sensory experience, combining oil paintings, augmented reality and music resulting in a Wagner-meets-Hollywood Gesamtkunstwerk. But in contrast to the perfect illusions of Hollywood, Rudolph's work allows glitches and cracks in the performance giving us an idea of the fragility of our own construction of reality.

– full text here:
Upstream Gallery, 2018
















 














MESSENGERS OF THE AI_ Kunststiftung Poolhaus Blankenese, 2018





Im weissen Rauschen einer medial überfrachteten Augmented Reality Oper entfalten sich ausgehend von den 7 Ölbildern ihre in der Virtual Reality gemalten Gegenstücke. Die Choreografie der holographischen Performance “Messengers of the Ai” bespielt zu einem Mix von Wagner und Hollywood die Grenzen des Gesamtkunstwerks, die Gleichzeitig die Grenzen des ehemaligen Pools der Kunststiftung sind. Inhaltlich werden in der Erzählung der Oper die Grenzen der westlichen Kultur des 21. Jahrhunderts verortet, beginnend mit 9/11 und endend mit der Antrittsrede Donald Trumps.




















©Dietrich Brüggemann